Photos and video with hashtag #rasternoton

#rasternoton

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- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- Arachnoid 🕷😱🕷 ••• Wallstreet-spider from the series "Veruschka self-portraits" photographed by Andreas Hubertus, NYC 1992-96. Used for the cover of anbb's Mimikry (2010) on #RasterNoton #VeruschkaVonLehndorff #WallStreet #spider #arachnoid #arachnophobia #AndreasHubertus #bw #blackandwhite #blackandwhitephotography #anbb #CarstenNicolai #BlixaBargeld #AlvaNoto #recordoftheday #LP #nowplaying #electronic #electronicmusic #experimental #experimentalmusic #unlistenable #KogoCzego
- Arachnoid 🕷😱🕷 ••• Wallstreet-spider from the series "Veruschka self-portraits" photographed by Andreas Hubertus, NYC 1992-96. Used for the cover of anbb& #39;s Mimikry (2010) on #RasterNoton #VeruschkaVonLehndorff #WallStreet #spider #arachnoid #arachnophobia #AndreasHubertus #bw #blackandwhite #blackandwhitephotography #anbb #CarstenNicolai #BlixaBargeld #AlvaNoto #recordoftheday #LP #nowplaying #electronic #electronicmusic #experimental #experimentalmusic #unlistenable #KogoCzego
- Arachnoid 🕷😱🕷 ••• Wallstreet-spider from the series "Veruschka self-portraits" photographed by Andreas Hubertus, NYC 1992-96. Used for the cover of anbb's Mimikry (2010) on #RasterNoton #VeruschkaVonLehndorff #WallStreet #spider #arachnoid #arachnophobia #AndreasHubertus #bw #blackandwhite #blackandwhitephotography #anbb #CarstenNicolai #BlixaBargeld #AlvaNoto #recordoftheday #LP #nowplaying #electronic #electronicmusic #experimental #experimentalmusic #unlistenable #KogoCzego
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.
- I am floating in a world different from the one you are in now. I am producing data that you can see and hear of a virtual speaking voice and I am going to upload it on Instagram, rip it from Instagram, upload back into this virtual compression algorithm again and again until the artefacts of the algorithm reinforce themselves so that any semblance of myself is destroyed. What you will perceive, then, are the artefacts inherent in the video codec of the compression algorithm. I regard this activity not so much as a demonstration of a digital fact, but more as a way to destroy any initial data this file might have.

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