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- A show not to miss (if you can swing it!) before break ends: @brooklynmuseum with @repostapp ・・・ #CarrieMaeWeems is part of a younger generation of black female artists who are carrying forward the influences, and complicating the narratives, of the Black Arts Movement and second-wave feminism into 21-century practices. This image is from The Kitchen Table Series, a photo-text work exploring gender, race, domesticity, and the family in which Weems constructs a rich narrative of one woman’s life within the framework of the kitchen. See Weems's work, alongside works from several other black women artists and activists, next month in #wewantedarevolution—opening April 21. #5womenartists
- A show not to miss (if you can swing it!) before break ends: @brooklynmuseum with @repostapp ・・・ #CarrieMaeWeems is part of a younger generation of black female artists who are carrying forward the influences, and complicating the narratives, of the Black Arts Movement and second-wave feminism into 21-century practices. This image is from The Kitchen Table Series, a photo-text work exploring gender, race, domesticity, and the family in which Weems constructs a rich narrative of one woman’s life within the framework of the kitchen. See Weems& #39;s work, alongside works from several other black women artists and activists, next month in #wewantedarevolution —opening April 21. #5womenartists
- A show not to miss (if you can swing it!) before break ends: @brooklynmuseum with @repostapp ・・・ #CarrieMaeWeems is part of a younger generation of black female artists who are carrying forward the influences, and complicating the narratives, of the Black Arts Movement and second-wave feminism into 21-century practices. This image is from The Kitchen Table Series, a photo-text work exploring gender, race, domesticity, and the family in which Weems constructs a rich narrative of one woman’s life within the framework of the kitchen. See Weems's work, alongside works from several other black women artists and activists, next month in #wewantedarevolution—opening April 21. #5womenartists
- !! ! !! #Repost @themuseumofmodernart with @repostapp ・・・ Senior curator @roxanamarcoci discusses how the Russian avant-garde influenced the history of MoMA when Alfred Barr, the Museum’s first director, traveled to Russia a year before MoMA opened in 1929. … “A Revolutionary Impulse: Rise of the Russian Avant-Garde” closes this Sunday, March 12. Learn more about the exhibition in our latest video, "How to see the Russian Avant-Garde,” at mo.ma/howtosee … #RevolutionaryImpulse #MoMACollection #avantgarde
- !! ! !! #Repost @themuseumofmodernart with @repostapp ・・・ Senior curator @roxanamarcoci discusses how the Russian avant-garde influenced the history of MoMA when Alfred Barr, the Museum’s first director, traveled to Russia a year before MoMA opened in 1929. … “A Revolutionary Impulse: Rise of the Russian Avant-Garde” closes this Sunday, March 12. Learn more about the exhibition in our latest video, "How to see the Russian Avant-Garde,” at mo.ma/howtosee … #RevolutionaryImpulse #MoMACollection #avantgarde
- !! ! !! #Repost @themuseumofmodernart with @repostapp ・・・ Senior curator @roxanamarcoci discusses how the Russian avant-garde influenced the history of MoMA when Alfred Barr, the Museum’s first director, traveled to Russia a year before MoMA opened in 1929. … “A Revolutionary Impulse: Rise of the Russian Avant-Garde” closes this Sunday, March 12. Learn more about the exhibition in our latest video, "How to see the Russian Avant-Garde,” at mo.ma/howtosee … #RevolutionaryImpulse #MoMACollection #avantgarde
- ✨🎉✨ #Repost @xavierasimmons with @repostapp ・・・ Super humbled and honored to have this work "Landscape (Two Women)" along with 2 additional large scale photographs produced by my studio enter @themuseumofmodernart in it's permanent collection this year. #moma #momacollection #thankful.... and also have to acknowledge @studiomuseum for just being amazing supporters of so many of our practices sooo early on.. @thelmagolden and her team are outstanding to me...........I produced this work in 2006/2007 having zero dollars to speak of at the time. I could barely pay my rent to live in my already inexpensive apartment.........Phew..... (just a little nudge to the students that I visit with and younger folks working on their practice.......perseverance dedication and good friends are good foundations to have when building your practice.....and you still have to give to your practice even when you don't really have the coins to give... make something.... anything to keep the practice going...) thankful to @davidcastillogallery for the abundance of support........ p.s I still can't believe this new administration is threatening so many of our long struggled for rights and services. If the head of a government doesn't see the value in strengthening arts and education for all then we really have little to work with as far as keeping that head in office......
- ✨🎉✨ #Repost @xavierasimmons with @repostapp ・・・ Super humbled and honored to have this work "Landscape (Two Women)" along with 2 additional large scale photographs produced by my studio enter @themuseumofmodernart in it& #39;s permanent collection this year. #moma #momacollection #thankful .... and also have to acknowledge @studiomuseum for just being amazing supporters of so many of our practices sooo early on.. @thelmagolden and her team are outstanding to me...........I produced this work in 2006/2007 having zero dollars to speak of at the time. I could barely pay my rent to live in my already inexpensive apartment.........Phew..... (just a little nudge to the students that I visit with and younger folks working on their practice.......perseverance dedication and good friends are good foundations to have when building your practice.....and you still have to give to your practice even when you don& #39;t really have the coins to give... make something.... anything to keep the practice going...) thankful to @davidcastillogallery for the abundance of support........ p.s I still can& #39;t believe this new administration is threatening so many of our long struggled for rights and services. If the head of a government doesn& #39;t see the value in strengthening arts and education for all then we really have little to work with as far as keeping that head in office......
- ✨🎉✨ #Repost @xavierasimmons with @repostapp ・・・ Super humbled and honored to have this work "Landscape (Two Women)" along with 2 additional large scale photographs produced by my studio enter @themuseumofmodernart in it's permanent collection this year. #moma #momacollection #thankful.... and also have to acknowledge @studiomuseum for just being amazing supporters of so many of our practices sooo early on.. @thelmagolden and her team are outstanding to me...........I produced this work in 2006/2007 having zero dollars to speak of at the time. I could barely pay my rent to live in my already inexpensive apartment.........Phew..... (just a little nudge to the students that I visit with and younger folks working on their practice.......perseverance dedication and good friends are good foundations to have when building your practice.....and you still have to give to your practice even when you don't really have the coins to give... make something.... anything to keep the practice going...) thankful to @davidcastillogallery for the abundance of support........ p.s I still can't believe this new administration is threatening so many of our long struggled for rights and services. If the head of a government doesn't see the value in strengthening arts and education for all then we really have little to work with as far as keeping that head in office......
- 💙 #Repost @metbreuer with @repostapp ・・・ In celebration of Black History Month, we are throwing back with this work from "Kerry James Marshall: Mastry." In "Still Life with Wedding Portrait," Marshall imagines the wedding portrait of abolitionist Harriet Tubman, famous for leading slaves to freedom via the Underground Railroad. Here, Marshall chooses a subject that is part of Tubman's history that we don't usually see, or think about, her private life. Kerry James Marshall (American, born Birmingham, Alabama 1955) Still Life with Wedding Portrait, 2015. #tbt #BlackHistoryMonth #KerryJamesMarshall #MetBreuer
- 💙 #Repost @metbreuer with @repostapp ・・・ In celebration of Black History Month, we are throwing back with this work from "Kerry James Marshall: Mastry." In "Still Life with Wedding Portrait," Marshall imagines the wedding portrait of abolitionist Harriet Tubman, famous for leading slaves to freedom via the Underground Railroad. Here, Marshall chooses a subject that is part of Tubman& #39;s history that we don& #39;t usually see, or think about, her private life. Kerry James Marshall (American, born Birmingham, Alabama 1955) Still Life with Wedding Portrait, 2015. #tbt #BlackHistoryMonth #KerryJamesMarshall #MetBreuer
- 💙 #Repost @metbreuer with @repostapp ・・・ In celebration of Black History Month, we are throwing back with this work from "Kerry James Marshall: Mastry." In "Still Life with Wedding Portrait," Marshall imagines the wedding portrait of abolitionist Harriet Tubman, famous for leading slaves to freedom via the Underground Railroad. Here, Marshall chooses a subject that is part of Tubman's history that we don't usually see, or think about, her private life. Kerry James Marshall (American, born Birmingham, Alabama 1955) Still Life with Wedding Portrait, 2015. #tbt #BlackHistoryMonth #KerryJamesMarshall #MetBreuer
- @jerrysaltz with @repostapp ・・・ Goodnight from Matthew Barney and "Cremaster 4". 1994. This is the first of the five Cremaster films made. Should I critic-'splain what I say is going on here? No? Ok. I will anyway. Barney as the Loughton Candidate is being held up as he looks at himself in a vanity that is in a white structure at the end of a very long pier that juts off the Isle of Man. Here Barney as a sort of dandy satyr parts his red hair. He has red hair because this is the actual color of the Loughton Ram - which is indigenous to the Isle of Man and is unique in that it has four horns in two pair. One pair points upward. The other downward. ⚙⚙⚙ He is seeing that he too has small ingrown buds on his head suggesting that he too might have the potential to point upwards (ovaries-female) and downward (testes-male). ⚙⚙⚙ Three Fairies hold him aloft. They are played by female body builders. ⚙⚙ Note that each has red hair - a connection to Barney. Note the three different hair-dos, however. ⚙⚙ The left has two buns on the top of her head. The middle has two buns on the bottom of her head. Then the one on the right has two sets of buns. One pointing up. One pointing down. Barney here is vainly and playfully contemplating and desiring this Next Sex possibility. Not being either female or male and instead be ... ... something else. I could go on and on but you will already think I am nuts. Do note that he has said none of this. ⚙⚙⚙ This all comes from me watching Cremaster 4 more than 75-times. ⚙⚙ Night night from art history babes. Xo
- @jerrysaltz with @repostapp ・・・ Goodnight from Matthew Barney and "Cremaster 4". 1994. This is the first of the five Cremaster films made. Should I critic-& #39;splain what I say is going on here? No? Ok. I will anyway. Barney as the Loughton Candidate is being held up as he looks at himself in a vanity that is in a white structure at the end of a very long pier that juts off the Isle of Man. Here Barney as a sort of dandy satyr parts his red hair. He has red hair because this is the actual color of the Loughton Ram - which is indigenous to the Isle of Man and is unique in that it has four horns in two pair. One pair points upward. The other downward. ⚙⚙⚙ He is seeing that he too has small ingrown buds on his head suggesting that he too might have the potential to point upwards (ovaries-female) and downward (testes-male). ⚙⚙⚙ Three Fairies hold him aloft. They are played by female body builders. ⚙⚙ Note that each has red hair - a connection to Barney. Note the three different hair-dos, however. ⚙⚙ The left has two buns on the top of her head. The middle has two buns on the bottom of her head. Then the one on the right has two sets of buns. One pointing up. One pointing down. Barney here is vainly and playfully contemplating and desiring this Next Sex possibility. Not being either female or male and instead be ... ... something else. I could go on and on but you will already think I am nuts. Do note that he has said none of this. ⚙⚙⚙ This all comes from me watching Cremaster 4 more than 75-times. ⚙⚙ Night night from art history babes. Xo
- @jerrysaltz with @repostapp ・・・ Goodnight from Matthew Barney and "Cremaster 4". 1994. This is the first of the five Cremaster films made. Should I critic-'splain what I say is going on here? No? Ok. I will anyway. Barney as the Loughton Candidate is being held up as he looks at himself in a vanity that is in a white structure at the end of a very long pier that juts off the Isle of Man. Here Barney as a sort of dandy satyr parts his red hair. He has red hair because this is the actual color of the Loughton Ram - which is indigenous to the Isle of Man and is unique in that it has four horns in two pair. One pair points upward. The other downward. ⚙⚙⚙ He is seeing that he too has small ingrown buds on his head suggesting that he too might have the potential to point upwards (ovaries-female) and downward (testes-male). ⚙⚙⚙ Three Fairies hold him aloft. They are played by female body builders. ⚙⚙ Note that each has red hair - a connection to Barney. Note the three different hair-dos, however. ⚙⚙ The left has two buns on the top of her head. The middle has two buns on the bottom of her head. Then the one on the right has two sets of buns. One pointing up. One pointing down. Barney here is vainly and playfully contemplating and desiring this Next Sex possibility. Not being either female or male and instead be ... ... something else. I could go on and on but you will already think I am nuts. Do note that he has said none of this. ⚙⚙⚙ This all comes from me watching Cremaster 4 more than 75-times. ⚙⚙ Night night from art history babes. Xo

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