Photos and video with hashtag #mizumaartgallery

#mizumaartgallery

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- 本日最終日! Today is the final day! 青山悟展|AOYAMA Satoru 「News From Nowhere」 作品紹介|Artwork Feature 《Artist’s Wife アーティストの妻》 作中に描かれているのは、過去作である「夕暮れの新宿(2003)」、「ペットショップボーイズ(2003)」「東京の朝(2005)」、「Roses 6/6(2011)」、「Map of the World(2014)」。 Also depicted within this work are several past works: “SHINJUKU” (2003), “Pet Shop Boys (Neil Tennant)” (2003), “Good Morning Tokyo” (2005), “Roses 6/6” (2011) and “Map of the World” (2014). Image: News From Nowhere (Artist’s Wife) ©AOYAMA Satoru http://www.mizuma-art.co.jp/exhibition/17_09_Aoyama.php
- 本日最終日! Today is the final day! 青山悟展|AOYAMA Satoru 「News From Nowhere」 作品紹介|Artwork Feature 《Artist’s Wife アーティストの妻》 作中に描かれているのは、過去作である「夕暮れの新宿(2003)」、「ペットショップボーイズ(2003)」「東京の朝(2005)」、「Roses 6/6(2011)」、「Map of the World(2014)」。 Also depicted within this work are several past works: “SHINJUKU” (2003), “Pet Shop Boys (Neil Tennant)” (2003), “Good Morning Tokyo” (2005), “Roses 6/6” (2011) and “Map of the World” (2014). Image: News From Nowhere (Artist’s Wife) ©AOYAMA Satoru http://www.mizuma-art.co.jp/exhibition/17_09_Aoyama.php
- 本日最終日! Today is the final day! 青山悟展|AOYAMA Satoru 「News From Nowhere」 作品紹介|Artwork Feature 《Artist’s Wife アーティストの妻》 作中に描かれているのは、過去作である「夕暮れの新宿(2003)」、「ペットショップボーイズ(2003)」「東京の朝(2005)」、「Roses 6/6(2011)」、「Map of the World(2014)」。 Also depicted within this work are several past works: “SHINJUKU” (2003), “Pet Shop Boys (Neil Tennant)” (2003), “Good Morning Tokyo” (2005), “Roses 6/6” (2011) and “Map of the World” (2014). Image: News From Nowhere (Artist’s Wife) ©AOYAMA Satoru http://www.mizuma-art.co.jp/exhibition/17_09_Aoyama.php
- #青山悟 展『News From Nowhere』 19世紀ビクトリア時代の#ビンテージプリント に#コラージュ 、#ドローイング 、そこに#ミシン による#刺繍 。写真では伝えきれない立体感、是非本物見て頂きたい!とても素敵でした✨10/21までです!#mizumaartgallery #satoruaoyama #NorahJones #ノラジョーンズ #JoannaNewsom #ジョアンナニューサム #AngelinaJolie #アンジェリーナジョリー Catherine (#DuchessofCambridge ) ケンブリッジ公爵夫人キャサリン #JulietteLewis #ジュリエットルイス #MirandaKerr #ミランダカー #VictoriaBeckham and #HarperBeckham #ヴィクトリアベッカム #ハーパーベッカム #AmberHeard (with #JohnnyDepp )#アンバーハード (#ジョニーデップ と共に) #embroidery #tokyo #福遠足
- #青山悟 展『News From Nowhere』 19世紀ビクトリア時代の#ビンテージプリント に#コラージュ 、#ドローイング 、そこに#ミシン による#刺繍 。写真では伝えきれない立体感、是非本物見て頂きたい!とても素敵でした✨10/21までです #mizumaartgallery #satoruaoyama #NorahJones #ノラジョーンズ #JoannaNewsom #ジョアンナニューサム #AngelinaJolie #アンジェリーナジョリー Catherine #DuchessofCambridge ) ケンブリッジ公爵夫人キャサリン #JulietteLewis #ジュリエットルイス #MirandaKerr #ミランダカー #VictoriaBeckham and #HarperBeckham #ヴィクトリアベッカム #ハーパーベッカム #AmberHeard (with #JohnnyDepp )#アンバーハード (#ジョニーデップ と共に) #embroidery #tokyo #福遠足
- #青山悟 展『News From Nowhere』 19世紀ビクトリア時代の#ビンテージプリント に#コラージュ 、#ドローイング 、そこに#ミシン による#刺繍 。写真では伝えきれない立体感、是非本物見て頂きたい!とても素敵でした✨10/21までです!#mizumaartgallery #satoruaoyama #NorahJones #ノラジョーンズ #JoannaNewsom #ジョアンナニューサム #AngelinaJolie #アンジェリーナジョリー Catherine (#DuchessofCambridge ) ケンブリッジ公爵夫人キャサリン #JulietteLewis #ジュリエットルイス #MirandaKerr #ミランダカー #VictoriaBeckham and #HarperBeckham #ヴィクトリアベッカム #ハーパーベッカム #AmberHeard (with #JohnnyDepp )#アンバーハード (#ジョニーデップ と共に) #embroidery #tokyo #福遠足
- #MizumaArtGallery の #青山悟 展より。19世紀イギリスの古いプリント絵画の上に、コラージュ(切り貼り)と刺繍で現代の女性有名人の写真を重ね合わせた作品。洋服の模様は完全に写真のものを取り込む形で刺繍がされており、まるで立体感のあるぬりえのような鮮やかさが楽しいです。現代のセレブが「タイムスリップ」(ギャラリー解説より)したような感じで、いつの時代のものなのかよくわからなくなってきます。21(土)まで! #SatoruAoyama #collage #textileart #everydayart #1日1アート
- #MizumaArtGallery の #青山悟 展より。19世紀イギリスの古いプリント絵画の上に、コラージュ(切り貼り)と刺繍で現代の女性有名人の写真を重ね合わせた作品。洋服の模様は完全に写真のものを取り込む形で刺繍がされており、まるで立体感のあるぬりえのような鮮やかさが楽しいです。現代のセレブが「タイムスリップ」(ギャラリー解説より)したような感じで、いつの時代のものなのかよくわからなくなってきます。21(土)まで! #SatoruAoyama #collage #textileart #everydayart #1 日1アート
- #MizumaArtGallery の #青山悟 展より。19世紀イギリスの古いプリント絵画の上に、コラージュ(切り貼り)と刺繍で現代の女性有名人の写真を重ね合わせた作品。洋服の模様は完全に写真のものを取り込む形で刺繍がされており、まるで立体感のあるぬりえのような鮮やかさが楽しいです。現代のセレブが「タイムスリップ」(ギャラリー解説より)したような感じで、いつの時代のものなのかよくわからなくなってきます。21(土)まで! #SatoruAoyama #collage #textileart #everydayart #1日1アート
- 青山悟展|AOYAMA Satoru 「News From Nowhere」 作品紹介|Artwork Feature 《St.Vincent セイント・ヴィンセント》 現在最高のギターヒロイン。黒髪だったり銀髪だったり割とビジュアルが変化する。この作品は2014年時のビジュアルを参照。 The ultimate guitar heroine right now. Her visual appearance changes relatively often, from black hair one moment to silver the next. This work makes reference to her visuals from around 2014. Image: News From Nowhere (St.Vincent) ©AOYAMA Satoru http://www.mizuma-art.co.jp/exhibition/17_09_Aoyama.php
- 青山悟展|AOYAMA Satoru 「News From Nowhere」 作品紹介|Artwork Feature 《St.Vincent セイント・ヴィンセント》 現在最高のギターヒロイン。黒髪だったり銀髪だったり割とビジュアルが変化する。この作品は2014年時のビジュアルを参照。 The ultimate guitar heroine right now. Her visual appearance changes relatively often, from black hair one moment to silver the next. This work makes reference to her visuals from around 2014. Image: News From Nowhere (St.Vincent) ©AOYAMA Satoru http://www.mizuma-art.co.jp/exhibition/17_09_Aoyama.php
- 青山悟展|AOYAMA Satoru 「News From Nowhere」 作品紹介|Artwork Feature 《St.Vincent セイント・ヴィンセント》 現在最高のギターヒロイン。黒髪だったり銀髪だったり割とビジュアルが変化する。この作品は2014年時のビジュアルを参照。 The ultimate guitar heroine right now. Her visual appearance changes relatively often, from black hair one moment to silver the next. This work makes reference to her visuals from around 2014. Image: News From Nowhere (St.Vincent) ©AOYAMA Satoru http://www.mizuma-art.co.jp/exhibition/17_09_Aoyama.php
- KANEKO Tomiyuki's solo exhibition "Asian Deities" has now opened at Gallery Ohrin! KANEKO Tomiyuki: Asian Deities Sunday 15th October 2017 - Sunday 28th January 2018 10:00 - 16:30 Closed on Wednesdays, on Monday 25th December and Saturday 6th January Gallery Ohrin, within the grounds of Hitachinokuni Izumotaisha (1F Hitachinokuni Izumotaisha Ohrin-kan, 208 Fukuhara, Kasama city, Ibaraki prefecture 〒309-1634) * This exhibition is co-organized by Gallery Ohrin and Mizuma Art Gallery. For further details: http://izumotaisha.or.jp/news01/1011/ Image: KANEKO Tomiyuki, “Takaokami” ,2017, Japanese ink and pen on Japanese paper, 230 x 480 cm, © KANEKO Tomiyuki
- KANEKO Tomiyuki& #39;s solo exhibition "Asian Deities" has now opened at Gallery Ohrin! KANEKO Tomiyuki: Asian Deities Sunday 15th October 2017 - Sunday 28th January 2018 10:00 - 16:30 Closed on Wednesdays, on Monday 25th December and Saturday 6th January Gallery Ohrin, within the grounds of Hitachinokuni Izumotaisha (1F Hitachinokuni Izumotaisha Ohrin-kan, 208 Fukuhara, Kasama city, Ibaraki prefecture 〒309-1634) * This exhibition is co-organized by Gallery Ohrin and Mizuma Art Gallery. For further details: http://izumotaisha.or.jp/news01/1011/ Image: KANEKO Tomiyuki, “Takaokami” ,2017, Japanese ink and pen on Japanese paper, 230 x 480 cm, © KANEKO Tomiyuki
- KANEKO Tomiyuki's solo exhibition "Asian Deities" has now opened at Gallery Ohrin! KANEKO Tomiyuki: Asian Deities Sunday 15th October 2017 - Sunday 28th January 2018 10:00 - 16:30 Closed on Wednesdays, on Monday 25th December and Saturday 6th January Gallery Ohrin, within the grounds of Hitachinokuni Izumotaisha (1F Hitachinokuni Izumotaisha Ohrin-kan, 208 Fukuhara, Kasama city, Ibaraki prefecture 〒309-1634) * This exhibition is co-organized by Gallery Ohrin and Mizuma Art Gallery. For further details: http://izumotaisha.or.jp/news01/1011/ Image: KANEKO Tomiyuki, “Takaokami” ,2017, Japanese ink and pen on Japanese paper, 230 x 480 cm, © KANEKO Tomiyuki
- MIYANAGA Aiko is participating in the group show "Mitate and Imagination - Homage to Rikyu and Duchamp" which opened on Friday 6th October 2017. "Mitate and Imagination - Homage to Rikyu and Duchamp" Friday 6th - Sunday 22nd October 2017 12:00 - 19:00 *Open until 22:00 on Friday 6th October Admission free Venue: Former Junpu Elementary School, Kyoto (609-1 Kakimoto-cho, Hanayacho-agaru, Omiya-dori, Shimogyo-ku, Kyoto 〒600-8361) http://www.nuitblanche.jp/en/schedule/junpu.php
- MIYANAGA Aiko is participating in the group show "Mitate and Imagination - Homage to Rikyu and Duchamp" which opened on Friday 6th October 2017. "Mitate and Imagination - Homage to Rikyu and Duchamp" Friday 6th - Sunday 22nd October 2017 12:00 - 19:00 *Open until 22:00 on Friday 6th October Admission free Venue: Former Junpu Elementary School, Kyoto (609-1 Kakimoto-cho, Hanayacho-agaru, Omiya-dori, Shimogyo-ku, Kyoto 〒600-8361) http://www.nuitblanche.jp/en/schedule/junpu.php
- MIYANAGA Aiko is participating in the group show "Mitate and Imagination - Homage to Rikyu and Duchamp" which opened on Friday 6th October 2017. "Mitate and Imagination - Homage to Rikyu and Duchamp" Friday 6th - Sunday 22nd October 2017 12:00 - 19:00 *Open until 22:00 on Friday 6th October Admission free Venue: Former Junpu Elementary School, Kyoto (609-1 Kakimoto-cho, Hanayacho-agaru, Omiya-dori, Shimogyo-ku, Kyoto 〒600-8361) http://www.nuitblanche.jp/en/schedule/junpu.php
- MIYANAGA Aiko's solo exhibition "waxing and waning" opened on Friday 6th October at the Yurinso space within the Ohara Museum of Art. In this exhibition, Miyanaga engages with media from chairs that have been in use since yurinso was constructed in 1928, to a picture that was created of Ohara Magosaburo by Kojima Torajiro. The works she presents in this exhibition reflect her considerations of the silent flows of time within yurinso, and of the people who have spent time within it. MIYANAGA Aiko: between waxing and waning Friday 6th - Sunday 22nd October 2017 10:00 - 16:30 (admission until 16:00) Admission: regular 1,000 yen, students (from junior high school up to university) 500 yen Venue: Yurinso space, Ohara Museum of Art (1-3-18 Chuo, Kurashiki city, Okayama prefecture 〒710-0046) For further details: http://www.ohara.or.jp/en/yurinso/ Image: exhibition installation view, Yurinso, Ohara Museum of Art
- MIYANAGA Aiko& #39;s solo exhibition "waxing and waning" opened on Friday 6th October at the Yurinso space within the Ohara Museum of Art. In this exhibition, Miyanaga engages with media from chairs that have been in use since yurinso was constructed in 1928, to a picture that was created of Ohara Magosaburo by Kojima Torajiro. The works she presents in this exhibition reflect her considerations of the silent flows of time within yurinso, and of the people who have spent time within it. MIYANAGA Aiko: between waxing and waning Friday 6th - Sunday 22nd October 2017 10:00 - 16:30 (admission until 16:00) Admission: regular 1,000 yen, students (from junior high school up to university) 500 yen Venue: Yurinso space, Ohara Museum of Art (1-3-18 Chuo, Kurashiki city, Okayama prefecture 〒710-0046) For further details: http://www.ohara.or.jp/en/yurinso/ Image: exhibition installation view, Yurinso, Ohara Museum of Art
- MIYANAGA Aiko's solo exhibition "waxing and waning" opened on Friday 6th October at the Yurinso space within the Ohara Museum of Art. In this exhibition, Miyanaga engages with media from chairs that have been in use since yurinso was constructed in 1928, to a picture that was created of Ohara Magosaburo by Kojima Torajiro. The works she presents in this exhibition reflect her considerations of the silent flows of time within yurinso, and of the people who have spent time within it. MIYANAGA Aiko: between waxing and waning Friday 6th - Sunday 22nd October 2017 10:00 - 16:30 (admission until 16:00) Admission: regular 1,000 yen, students (from junior high school up to university) 500 yen Venue: Yurinso space, Ohara Museum of Art (1-3-18 Chuo, Kurashiki city, Okayama prefecture 〒710-0046) For further details: http://www.ohara.or.jp/en/yurinso/ Image: exhibition installation view, Yurinso, Ohara Museum of Art
- 青山悟展|AOYAMA Satoru 「News From Nowhere」 作品紹介|Artwork Feature 《Beyonce ビヨンセ》 アルバム「Lemonade」でアーバン・コンテンポラリーアルバムを受賞した際、人種の平等を訴えるスピーチで感動を呼んだ。元の絵のタイトルは「My Favorite Slave」。 When her album “Lemonade” won the Grammy Award for Best Urban Contemporary Album, her moving acceptance speech addressed the equality of all races. The original title of the image in this print was “My Favourite Slave”. Image: “News From Nowhere (Beyonce)“ ©AOYAMA Satoru http://www.mizuma-art.co.jp/exhibition/17_09_Aoyama.php
- 青山悟展|AOYAMA Satoru 「News From Nowhere」 作品紹介|Artwork Feature 《Beyonce ビヨンセ》 アルバム「Lemonade」でアーバン・コンテンポラリーアルバムを受賞した際、人種の平等を訴えるスピーチで感動を呼んだ。元の絵のタイトルは「My Favorite Slave」。 When her album “Lemonade” won the Grammy Award for Best Urban Contemporary Album, her moving acceptance speech addressed the equality of all races. The original title of the image in this print was “My Favourite Slave”. Image: “News From Nowhere (Beyonce)“ ©AOYAMA Satoru http://www.mizuma-art.co.jp/exhibition/17_09_Aoyama.php
- 青山悟展|AOYAMA Satoru 「News From Nowhere」 作品紹介|Artwork Feature 《Beyonce ビヨンセ》 アルバム「Lemonade」でアーバン・コンテンポラリーアルバムを受賞した際、人種の平等を訴えるスピーチで感動を呼んだ。元の絵のタイトルは「My Favorite Slave」。 When her album “Lemonade” won the Grammy Award for Best Urban Contemporary Album, her moving acceptance speech addressed the equality of all races. The original title of the image in this print was “My Favourite Slave”. Image: “News From Nowhere (Beyonce)“ ©AOYAMA Satoru http://www.mizuma-art.co.jp/exhibition/17_09_Aoyama.php
- 最終週 Last week (-10/21) 青山悟展|AOYAMA Satoru 「News From Nowhere」 作品紹介|Artwork Feature 《Juliette Lewis ジュリエット・ルイス》 元の絵に描かれている女性の名前がジュリエット。ジュリエット・ルイスは顔を見ればみんなわかるベテラン女優。「ケープ・フィアー」、「ナチュラル・ボーン・キラーズ」など。 The name of the woman depicted in the original image is Juliet. Juliette Lewis is one of those veteran actresses that everyone recognizes when they see her face. "Cape Fear", "Natural Born Killers", etc. Image: News From Nowhere (Juliette) ©AOYAMA Satoru http://www.mizuma-art.co.jp/exhibition/17_09_Aoyama.php
- 最終週 Last week (-10/21) 青山悟展|AOYAMA Satoru 「News From Nowhere」 作品紹介|Artwork Feature 《Juliette Lewis ジュリエット・ルイス》 元の絵に描かれている女性の名前がジュリエット。ジュリエット・ルイスは顔を見ればみんなわかるベテラン女優。「ケープ・フィアー」、「ナチュラル・ボーン・キラーズ」など。 The name of the woman depicted in the original image is Juliet. Juliette Lewis is one of those veteran actresses that everyone recognizes when they see her face. "Cape Fear", "Natural Born Killers", etc. Image: News From Nowhere (Juliette) ©AOYAMA Satoru http://www.mizuma-art.co.jp/exhibition/17_09_Aoyama.php
- 最終週 Last week (-10/21) 青山悟展|AOYAMA Satoru 「News From Nowhere」 作品紹介|Artwork Feature 《Juliette Lewis ジュリエット・ルイス》 元の絵に描かれている女性の名前がジュリエット。ジュリエット・ルイスは顔を見ればみんなわかるベテラン女優。「ケープ・フィアー」、「ナチュラル・ボーン・キラーズ」など。 The name of the woman depicted in the original image is Juliet. Juliette Lewis is one of those veteran actresses that everyone recognizes when they see her face. "Cape Fear", "Natural Born Killers", etc. Image: News From Nowhere (Juliette) ©AOYAMA Satoru http://www.mizuma-art.co.jp/exhibition/17_09_Aoyama.php
- We are pleased to announce that one of our artists, Angki Purbandono will be participating in "RESIPRO(VO)KASI: Participatory Art Practices in Indonesia After 1998 Reformation". . 5-19 October 2017. . RESIPRO(VO)KASI is curated by Bayu Genia Krishbie as part of Condition Report, a curatorial development workshop by Japan Foundation Asia Centre. . Venue: National Gallery of Indonesia, Jakarta, Indonesia. . #Angkipurbandono #artist #mizuma #mizumagallery #mizumaartgallery #galerinasional #exhibition #indonesia #asiacenterjapanfoundation
- We are pleased to announce that one of our artists, Angki Purbandono will be participating in "RESIPRO(VO)KASI: Participatory Art Practices in Indonesia After 1998 Reformation". . 5-19 October 2017. . RESIPRO(VO)KASI is curated by Bayu Genia Krishbie as part of Condition Report, a curatorial development workshop by Japan Foundation Asia Centre. . Venue: National Gallery of Indonesia, Jakarta, Indonesia. . #Angkipurbandono #artist #mizuma #mizumagallery #mizumaartgallery #galerinasional #exhibition #indonesia #asiacenterjapanfoundation
- We are pleased to announce that one of our artists, Angki Purbandono will be participating in "RESIPRO(VO)KASI: Participatory Art Practices in Indonesia After 1998 Reformation". . 5-19 October 2017. . RESIPRO(VO)KASI is curated by Bayu Genia Krishbie as part of Condition Report, a curatorial development workshop by Japan Foundation Asia Centre. . Venue: National Gallery of Indonesia, Jakarta, Indonesia. . #Angkipurbandono #artist #mizuma #mizumagallery #mizumaartgallery #galerinasional #exhibition #indonesia #asiacenterjapanfoundation
- 青山悟展|AOYAMA Satoru 「News From Nowhere」 作品紹介|Artwork Feature 《Jennifer Lopez ジェニファー・ロペス》 女性ファッション誌ELLEの表紙より。デュシャン、リヒターの系譜の階段を降りる女性像。 Shown in an image taken from the front cover of ELLE fashion magazine. She belongs to a pedigree of images of women descending stairs that includes Duchamp and Richter. Image: News From Nowhere (Jennifer) ©AOYAMA Satoru http://www.mizuma-art.co.jp/exhibition/17_09_Aoyama.php
- 青山悟展|AOYAMA Satoru 「News From Nowhere」 作品紹介|Artwork Feature 《Jennifer Lopez ジェニファー・ロペス》 女性ファッション誌ELLEの表紙より。デュシャン、リヒターの系譜の階段を降りる女性像。 Shown in an image taken from the front cover of ELLE fashion magazine. She belongs to a pedigree of images of women descending stairs that includes Duchamp and Richter. Image: News From Nowhere (Jennifer) ©AOYAMA Satoru http://www.mizuma-art.co.jp/exhibition/17_09_Aoyama.php
- 青山悟展|AOYAMA Satoru 「News From Nowhere」 作品紹介|Artwork Feature 《Jennifer Lopez ジェニファー・ロペス》 女性ファッション誌ELLEの表紙より。デュシャン、リヒターの系譜の階段を降りる女性像。 Shown in an image taken from the front cover of ELLE fashion magazine. She belongs to a pedigree of images of women descending stairs that includes Duchamp and Richter. Image: News From Nowhere (Jennifer) ©AOYAMA Satoru http://www.mizuma-art.co.jp/exhibition/17_09_Aoyama.php
- 青山悟展|AOYAMA Satoru 「News From Nowhere」 作品紹介|Artwork Feature 《Miranda Kerr ミランダ・カー》 オーストラリア出身のファッションモデル。“離婚後も輝くミランダ・カー。美の秘訣はヨガと瞑想と息子のフリン君”らしい。 A fashion model from Australia. “Miranda Kerr, radiant even after divorce. Her beauty secret? Yoga, meditation and her son Flynn” – esque. Image: News From Nowhere (Miranda) ©AOYAMA Satoru http://www.mizuma-art.co.jp/exhibition/17_09_Aoyama.php
- 青山悟展|AOYAMA Satoru 「News From Nowhere」 作品紹介|Artwork Feature 《Miranda Kerr ミランダ・カー》 オーストラリア出身のファッションモデル。“離婚後も輝くミランダ・カー。美の秘訣はヨガと瞑想と息子のフリン君”らしい。 A fashion model from Australia. “Miranda Kerr, radiant even after divorce. Her beauty secret? Yoga, meditation and her son Flynn” – esque. Image: News From Nowhere (Miranda) ©AOYAMA Satoru http://www.mizuma-art.co.jp/exhibition/17_09_Aoyama.php
- 青山悟展|AOYAMA Satoru 「News From Nowhere」 作品紹介|Artwork Feature 《Miranda Kerr ミランダ・カー》 オーストラリア出身のファッションモデル。“離婚後も輝くミランダ・カー。美の秘訣はヨガと瞑想と息子のフリン君”らしい。 A fashion model from Australia. “Miranda Kerr, radiant even after divorce. Her beauty secret? Yoga, meditation and her son Flynn” – esque. Image: News From Nowhere (Miranda) ©AOYAMA Satoru http://www.mizuma-art.co.jp/exhibition/17_09_Aoyama.php

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